The Indian culture celebrates marriage as a sacrament (Saṃskāra), a rite enabling two individuals to start their journey in life together. In a Hindu wedding, the multiplicity of creation becomes possible when spirit (Purusha) unites with matter (Prakṛti). Sometimes stretching as long as a week, Indian weddings are rich with symbolism and traditions.
The Indian culture celebrates marriage as a sacrament (Saṃskāra), a rite enabling two individuals to start their journey in life together. In a Hindu wedding, the multiplicity of creation becomes possible when spirit (Purusha) unites with matter (Prakṛti). The Hindu wedding emphasizes three essential values:
The bridal dress is a sari and the bride dons all the ornaments. Her hair is usually in a bun and covered with a crown and veil. Sandalwood is artistically applied on her face in the design of the crown. Covering the head during a wedding is a mark of respect to the deities worshipped and the elders present. The ghoonghat, which is equivalent to the veil of the Christian bride, is worn by the bride. It may vary in length, covering not only the head but the shoulders, back and almost down to the waistline. The draping may be done is several ways. The dupatta, worn with a gagra choli, is tucked in at the waist on one end, pleated beautifully around the body and draped delicately over one shoulder.
The groom will wear a dhoti, which is an unstitched garment, and a shirt. On arrival at the bride's house he will change into another similar outfit. He will cover himself with a sheet and wear the topor. He may wear a white silk brocade suit, sword and turban as his wedding outfit. The groom may sport an elegant pagri with its flowing tail-end. Others may wear a nattily wound pagdi, or a topi. White flowers can be tied in suspended strings over the forehead, called a sehra. In northern, central and western India, a golden kalgi studded with precious stones is tied over the right side of the groom's safa. In the center of the forehead sandalwood is applied and further decorated with gold, red and white dots. This decoration may also be done over the eyebrows.
At the actual wedding ceremony, the groom's father and all other relatives are present. The groom's mother does not attend. A paternal or maternal uncle gives away the bride. The bride's father and other relatives attend, but her mother does not. It is believed that if the mothers are not present it will protect the bride and groom from the evil eye.
As the groom arrives he is welcomed by blowing conch shells, ringing bells and ululation. The mistress of the house touches the silver plate to the groom's forehead and then the ground, and up to the groom. This is repeated three times, the groom is offered sweets. Water is then poured on the doorstep of the house as the groom enters.
The priest comes with an idol of God and in the presence of the family and friends the ceremony begins. As a part of the ceremony there is an exchange of the floral garlands and other rituals. While the ceremony is taking place, dinner may be served. After the ceremony is over, games are played and the couple is kept awake that night by songs, poetry and jokes offered by the family and friends.
The morning after the ceremony the groom applies vermilion on the bride's forehead. This is a symbol of her marriage status. At the Mandap ceremony, in the presence of the priest, they then worship the Sun God. They seek the blessings of all elders and set out to the groom's house.
On arrival at the groom's house, women pour water on the ground under the vehicle which they have traveled and the couple exit the vehicle.
In some houses, the women wash the feet of the bride with milk and flour before offering sweets and sherbet to the couple. In others, the bride steps into the milk and flour and imprints her soles on the the mixture. The bride is then led by the women in the house.
The elders present bless the couple. Ornaments and saris are presented to the bride. She and her groom sit on a wooden plank and the Bou Bhaat ceremony begins.
Women blow conch shells, ring bells, and take up wailing. The bride does not eat any food in her in-laws house. That night, the bride wears a new sari. The bedroom is tastefully decorated with flowers. The flowers and clothes come from the bride's house along with the sweets.
A few days after the wedding day, the newlywed couple return to the bride's home. The thread which was tied on the bride's wrist by the priest is cut.
The couple exchanges garlands as a gesture of acceptance of one another and a pledge to respect one another as partners.
The bride's father offers the groom yogurt and honey as the expression of welcome and respect.
The father of the bride places her hand in the groom's hand requesting him to accept her as an equal partner. The concept behind Kanyadan is that the bride is a form of the goddess Lamxi and the groom is Lord Narayana. The parents are facilitating their union.
The couple invokes Agni, the god of Fire, to witness their commitment to each other. Crushed sandalwood, herbs, sugar rice and oil are offered to the ceremonial fire.
The bride places both her hands into the groom's and her brother then places rice into her hands. Together the bride and groom offer the rice as a sacrifice into the fire.
The scarves placed around the bride and groom are tied together symbolizing their eternal bond. This signifies their pledge before God to love each other and remain faithful.
The couple makes four Mangalpheras around the fire in a clockwise direction representing four goals in life: Dharma, religious and moral duties; Artha, prosperity; Kama, earthly pleasures; Moksha, spiritual salvation and liberation. The bride leads the Pheras first, signifying her determination to stand first beside her husband in all happiness and sorrow.
The bride and groom walk seven steps together to signify the beginning of their journey through life together. Each step represents a marital vow:
The parents of the bride and groom bless the wedded couple by dipping a rose in water and sprinking it over the couple.
The groom applies a small dot of vermilion, a powdered red lead, to the bride's forehead and welcomes her as his partner for life. It is applied for the first time to a woman during the marriage ceremony when the bridegroom himself adorns her with it.
The parents of the bride and groom give their blessings to the couple. The couple touches the feet of their parents as a sign of respect.
The traditional art of adorning the hands and feet with a paste made from the finely ground leaves of the Henna plant. The term refers to the material, the design, and the ceremony. It is tradition for the names of the bride and groom to be hidden in the design, and the wedding night is not to commence until the groom has found both names. After the wedding, the bride is not expected to perform any housework until her Menhdi has faded away.
A necklace worn specifically by married women as a symbol of their marriage.